Musical Saw Festival 2011
You’re invited to the 9th annual NYC Musical Saw Festival:
Flyer art by Zina Saunders
Download the 2011 NYC Musical Saw Festival Flyer
Full page DOWNLOAD HERE
Two on a page DOWNLOAD HERE
Four on a page DOWNLOAD HERE
When: Saturday, July 16th, 2011, 2pm.
Where: Hellenic Cultural Center, 27-09 Crescent Street (corner of Newtown Avenue), Astoria, NY 11102-3142
The entrance to the festival is on Newtown Avenue.
Parking: Street
Public Transportation: N/Q Train to 30th Ave (walk on 31st street one blockto Newtown Avenue. Make a left onto Newtown Avenue. Walk almost 4 blocks to the Hellenic Cultural Center).
Admission: $10
What:
NATALIA ‘SAW LADY’ PARUZ, founder & organizer of the Musical Saw Festival, will present the musical saw as an ensemble instrument in contemporary and classical music, with participation of a string quartet and a handbell choir.
* Premier of 2 new compositions for the musical saw by composers Scott Munson and Eyal Bat (piece for four musical saws and piano), commissioned for the Musical Saw Festival.
* A musical saw art exhibit
Paintings by: Zina Saunders, Heidi Younger, Aaron Porter, Miriam Paskalski, Jamie Isenstein, Kenly Dillard, Barrett Cobb, Alyssa Steele, Young Joo, Michael Watson, Kauri Sievers, Claude Bonang
*Musical saw poetry: poet Willa France will recite her poetry about the musical saw.
* Solos by saw players from around the world
* The ‘Chorus of the Saws’ (all participating musical saw players playing together, accompanied by piano).
* Musical saw workshop
The musical saw player who travels the farthest in order to attend the festival is considered the “guest of honor”.
NYC Musical Saw Festival souvenir T-shirts will be available for purchase:
* new design (M, L, XL, – $20 each, XXL – $25)
* old design (only L available – $20 each).
Non musical saw musicians participating in the festival:
TRINITY HANDBELL CHOIR, directed by Richard Walker
LAWRENCE ZOERNIG (cello), has been principal ‘cellist of many New York symphony and chamber orchestras, including New York Chamber Orchestra, Manhattan Chamber Orchestra, Bachanalia and Opera Manhattan. Mr. Zoernig premièred Lars-Erik Larsson’s Concertino for ‘Cello and String Orchestra at Trinity Church with the New York Scandia Symphony, for which he is also principal ‘cellist. He has also recently performed the Cello Concerto by Johan Svendsen with the Scandia Symphony.
As a chamber musician, he performs frequently with the Goliard
Ensemble and Bachanalia. He has appeared with such noted artists as
violinists Nina Beilina, Sidney Harth and Mark Peskanov, clarinetist
Charles Neidich, guitarist David Starobin, and well-known dance
ensembles including the Paul Taylor Dance Company and the David
Parsons Dance Company. He has appeared as soloist and chamber musician at Carnegie Hall, Alice Tully Hall, Bruno Walter Auditorium at Lincoln Center, Steinway Hall in New York and the Phillips Collection and the Kennedy Center in Washington, D.C..
His Scandia Quartet was invited to play for former US President
Jimmy Carter and his wife, Roslyn, at the Carter Center in Atlanta,
Georgia, and for the Prince and Princess of Denmark at the New York
Public Library’s Hans Christian Anderson Centenniel Celebration.
As a concert artist on the international scene, Mr. Zoernig has
been presented at the Teatro Amazones in Manaus, Brazil and the World Expo in Seville, Spain and has also performed extensively on Cunard Line cruise ships Queen Elizabeth II, Caronia, Vistafjord, Sagafjord, and Royal Viking Sun throughout the world.
Lawrence Zoernig recently returned from the National Tour of the
award winning hit Broadway show, “The 25th Annual Putnam County Spelling Bee”.
Meet the Composer Foundation recently provided Mr. Zoernig with a
grant for his work as a composer of music for cello. Additionally, he
maintains an active teaching schedule and is presently a faculty
member of the Sylvan Academy of Music in Closter, NJ.
Lawrence Zoernig was born in 1960 in Sioux City, Iowa. He began
studying ‘cello at age eight. He attended the National Academy of Arts in Champaign, Illinois, an arts-centered boarding school. He received a Bachelor of Music degree from the Cleveland Institute of Music where he studied with Alan Harris, and a Master of Music degree from the Juilliard School where he studied with Harvey Shapiro. At Juilliard he also worked extensively with Felix Galimir, Joel Krosnick, John, Cage, Albert Fuller and Jaap Schröder.
He has also coached with members of the Guarneri, Juilliard, Budapest,
Tokyo, and Hungarian Quartets.
He plays a Stradivarious model ‘cello made by Tim Hulley of Ottawa,
Ontario, completed in 2004.
OLIVIER FLUCHAIRE (violin), won his first international competition at the age of 11. Two years later, upon receiving his Premier Prix from the Grenoble Conservatory, he entered London’s prestigious Yehudi Menuhin School. At the Menuhin School, he had the privilege of studying with Lord Menuhin himself and in 1991, performed J.S. Bach’s Concerto for Two Violins with Maestro Menuhin at the Montpellier Opera House, France. By the time he arrived in America in 1992, he had already concertized in Austria, England, France, Belgium, Lithuania and Russia.
Mr. Fluchaire gave his New York recital debut in Weill Hall at Carnegie Hall in 2001 as winner of the Artists International Competition. Following engagements with the French Philharmonia Orchestra, Bachanalia Orchestra, Jupiter Symphony, Hunter Symphony, Orchestra of the Bronx and the Camerata Lisy, he has recorded for the Vox and Keuka Labels, as well as Radio France, MDR Leipzig, “The Listening Room with Robert Sherman,” WQXR-FM, National Public Radio and the BBC Television, Bronxnet Television, National Educational Television and France 3 Television.
Olivier Fluchaire has performed chamber music concerts alongside members of the Guarneri, American, and Emerson string quartets, as well as Martin Canin, Nina Beilina, Mark Peskanov and Anthony McGill and is a founding member of the New York String Quartet. An ardent champion of new music, he has premiered works by standing composers such as Toshi Ichiyanagi, Samuel Adler, Nils Vigeland, David Keberle, Mathew Harris, Gerald Chenoweth, Lethat Klein and Elias Tanenbaum.
RACHEL GOLUB (violin) is a violinist, vocalist, string arranger and session artist of many colors and sounds. She has been seen on stage with artists ranging from Sting, Elton John and Lady Gaga to Jay-Z, Andrea Bocelli, Florence Welch, Joss Stone and Suzanne Vega.
As an arranger and session artist, her performances can be heard on recordings with EarthRise SoundSystem (Makyen Ghrir Allah, Ajnabee), The Walkmen (Lisbon), Ryuchi Sakamoto, Breaking Benjamin (Without You), Modern English, Average Superstar, Lucy Woodward, Seth Glier (The Next Right Thing), Chris Caffery, and many others. As her alter-ego, Go-Ray, she and writing partner Duke Mushroom recently released ‘The Yoga Sessions: Go-Ray & Duke’, featuring Duke’s beats and Go-Ray’s strings and vocals, on Yoga Organix/Black Swan.
In New York, Rachel can be heard leading improvising ensembles like Ensemble Sospeso and the Club Foot Orchestra, often accompanying silent films, and performing with the Sirius Quartet or members of FLUX. She is a frequent player with Elliott Sharp’s Orchestra Carbon and Syndakit, and was featured in 2010 at the Whitney Museum’s Christian Marclay Festival.
As an orchestral player she is often onstage with Orchestra of St. Luke’s, the New Jersey Symphony, American Ballet Theatre, Opera Orchestra New York, Sympho, and other symphonic engagements ranging from Star Wars in Concert to Pierre Hughye’s antarctic orchestra for ‘A journey that wasn’t’. Other regular chamber music engagements include North/South Consonance, Lost Dog Composers’ Collective, Lincoln Center Present’s educational programs, and Musica Viva. Rachel was the violin soloist with the Folksbiene Yiddish Theatre’s klezmer band for their production of ‘On Second Avenue’ and the BQE Project’s The Golem, featured live on WNYC on several occasions.
Rachel is featured on White Swan, EMI and Chesky Records, and in Universal and Warner Bros. pictures including ‘Music & Lyrics’.
BORIS DEVIATOV (viola) – Boris Deviatov earned his Master’s Degree and Doctorate of Music from the Lvov State Conservatory, Ukraine. As a member of the Leontovych String Quartet, one of the leading string quartets from the former Soviet Union, Mr. Deviatov has appeared in the major concert halls of North America, South America and Europe. He also participated in numerous international festivals, including Mostly Mozart, Music Mountain, and the Newport Music Festival.
His chamber music performances include collaborations with such distinguished artists as Yuri Bashmet, Ruggiero Ricci, Ruth Laredo, Vladimir Spivakov, and Samuel Sanders. Mr. Deviatov is the winner of several competitions, both as a violist and conductor, the most notable being first prize in the All Soviet Union Viola Competition. He has concertized throughout the Soviet Union and Europe as a music director, conductor and soloist of the Ivano-Frankovsk Chamber Orchestra.
Here in the United States, he performs as a member of the Lumina String Quartet and the New York Chamber Symphony. He is a principal violist of the Bachanalia Chamber Orchestra and the String Orchestra of New York City. Mr. Deviatov has recorded for Greystone Records, Koch International Classics, The Musical Heritage Society, and Melodia (USSR).
Musical saw workshop:
Open to musical saw players only (not open to the public at large).
The workshop will take place after the concert.
Musical saw player Adam Wirtzfeld of MN will teach the technique of Multiphonics – playing two notes at once on the saw, using overtones.
Musical saw player Doc George of NY will teach a workshop about the hammered musical saw.
Musical saw player Joel Eckhaus of ME will teach a workshop about the “long bow” technique.
Musical saw player Gene Nichols of ME (Associate Professor of Music, University of Maine) will teach a workshop about ‘A Lumberjack Song’ for saw and chamber orchestra.
Last year’s Musical Saw Festival:
Musical saw players wishing to participate in the festival :
If you would like to participate as a saw player (whether as a soloist, a participant in the ‘Chorus of the Saws’ or to take the workshop) or as a member of the audience, please contact us through the ‘Contact’ page and send us your name, e-mail address and whether you are a saw player or not.
The festival is made possible in part with funds from the Decentralization Program, a regrant program of the New York State Council on the Arts, administered by the Queens Council on the Arts.